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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Albert Jonas and John Xiniwe of The African Choir, 1891 London Stereoscopic Co.

Back in black

Magazine article by Krysia Kitch, 2017

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam
Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

Mr and Mrs Horace Keats in the

Heartfelt

Magazine article by Dr Sarah Engledow, 2009

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

Darren McDonald, 2016 by Mark Mohell

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Cover, first minute book of the Tasmanian Society of Natural History

Embrace your inner nerd

About Face article

The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.

Self portrait, 1980 
Alice Neel

Hard truths

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Sir Douglas Mawson

Staying home

True south #2
About Face article

Joanna Gilmour brings a mindful Douglas Mawson’s perspective to bear on the concept of isolation.

Lola Montes

You beauty

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

Explore The Popular Pet Show

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it. 

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Asiel Timor Dei, ca. 1728 by a master of Calamarca

The Viceroyalty of New Spain

About Face article

European painters always enjoyed a good deal of latitude in the representation of angels, those asexual, bodiless, celestial regiments of God, so long as they were young and beautiful.

Love City; George Gittoes on hilltop 2013

Man of war

Magazine article by Tedi Bills, 2016

Tedi Bills talks to George Gittoes about canvassing conflict.

The Sands Brothers

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency