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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Risk Assessment for groups of students

For your peace of mind
School visit information

Find out about our environment, security checks, potential hazards and more.

Dr Fiona Wood AM

The Good Doctor

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Janai and Josh, 2011 by Simon Harsent

NPPP 2012 exhibition essay

General content

Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2012 Prize.

William Shakespeare, c. 1600-1610  associated with John Taylor

Selected images

General content

Take a peek at a selection of the portraits you can see in the exhibition.

HRH Crown Princess Mary of Denmark, 2006 Ralph Heimans AM

Human encounters

Magazine article by Joanna Gilmour, 2023

Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Robert Hughes - Nothing if not critical

Heart of Darkness

Magazine article by Magda Keaney, 2002

Magda Keaney talks with Bill Leak about his bold new portrait of Robert Hughes in the National Portrait Gallery collection.

Gordon Darling Hall, National Portrait Gallery

Architecture

About us

Natural light and human proportions – the design by Johnson Pilton Walker

Blue light hypnosis, 2020 Jill Velinos

Virtually yours

Magazine article by Gillian Raymond, 2022

Gill Raymond on creating thought-provoking, interactive content to connect to our online community through portraiture.

JK Rowling, 2005

Why do painted portraits still matter?

Magazine article by Sandy Nairne, 2006

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

The Honourable Bob Hawke savouring a strawberry milkshake, 2017 by Harold David

The intellectual larrikin

Magazine article by Barrie Cassidy, 2019

Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.

Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick
Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick
Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick

Painter John Brack with Professor Alex Mitchell and Sir Garfield Barwick, c. 1977

Jozef Vissel
Portrait, gelatin silver photograph on paper

Gift of the Jozef Vissel 2015

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency