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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Shall I raise my eyebrows and gasp? (Alex), 2011 by TextaQueen

Pen power

Magazine article by Jane Raffan, 2015

Politics and personae in the portraiture of TextaQueen by Jane Raffan.

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021, 2022 (printed 2023)

Brenda L Croft, Prue Hazelgrove, Richard Crampton

Portrait, original wet plate collodion process tintype, digital scan to Ultrachrome pigment on paper

Purchased 2023

Vincent Brady leading anti Bicentenary Protest, Brisbane, 1987 Michael Aird

Activating the space

Magazine article by Sandra Phillips, 2020

Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.

Cormac and Callum, 2008 by Ingvar Kenne

National Photographic Portrait Prize 2009

Previous exhibition, 2009

In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.

Tim Winton

2020 Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Olivia Newton-John

Olivia Newton-John AC DBE

Olivia Newton-John AC DBE (1948-2022) came to Australia as a five-year-old with her father, Brin Newton John, who had worked on the Enigma project at Bletchley, and her mother, Irene Born, who was the daughter of Nobel Prize-winning physicist Max Born.

1 portrait in the collection

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.

Shane Warne

Flash

Australian Athletes in Focus

Previous exhibition, 2006

Introduction The National Portrait Gallery’s photographic exhibition Flash: Australian Athletes in Focus explores various interpretations of Australian sporting men and women.

image not online

Portrait Donors

Turia Pitt

2021 Annual Appeal

In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.

Ken Catchpole

Full time

Magazine article by Alistair McGhie, 2017

Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Archived media releases 2018

Images for media use will be available from 8 March 2018.

Daddy Cool, Melbourne

Now Listen...

Magazine article by Simon Elliott, 2005

Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.

Emily Kame Kngwarreye with Lily

Illuminating history

Magazine article by Joanna Gilmour, 2023

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

One hundred days at 7pm 2015 by Fiona McMonagle

Self-effacing

Magazine article by Michael Wardell, 2016

Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency