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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Writer, Peter Goldsworthy

Off grid

Magazine article by Aimee Board, 2019

Aimee Board ventures within and beyond to consider two remarkable new Gallery acquisitions.

A Sydney family, 1840s

The house, the horse, the wife and the offspring

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.

Portrait of Mary MacKillop c 1873

The Saint and the merchant

Magazine article by Dr Sarah Engledow, 2010

Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.

Miles and Arkie, 2015 by Clint Peloso

Shop Talk

Magazine article by Stephen Phillips, 2016

Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.

The Gladiators (Norm Provan and Arthur Summons)

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Jaynie Anderson

Sitter still

Magazine article by Emeritus Professor Jaynie Anderson AM, 2015

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

William, Randwick

Miscellaneous obsessions

Magazine article by William Yang, 2022

William Yang shares the stories behind his autobiographical self portraits that celebrate his cultural heritage and identity.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Dorothy Porter

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Portrait of Brian Dunlop

A quiet moment

Magazine article by Helene Ladomirska, 2006

As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other. 

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Caroline Amelia Elizabeth
of Brunswick, 1804

Around the grounds

Magazine article by Dr Anne Sanders, 2010

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

Cathy Freeman, 1998 Julian Kingma

In profile

Julian Kingma
Magazine article by Penelope Grist, 2023

Penelope Grist explores the photographic instinct of four-time National Photographic Portrait Prize finalist Julian Kingma.

Staffordshire bull terrier belonging to the Rev. John Gower, 1851

Essential portraiture

Magazine article by Michael Desmond, 2011

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.

Elizabeth (Murray) 2000

Extremely generous and incredibly close

Magazine article by Michael Desmond, 2010

Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency