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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Self portrait

Give me five

Magazine article by Karen Quinlan AM, 2021

National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.

Untitled #88 (Captain Brad Kilpatrick and Kylie Minogue, Balibo, East Timor, 20 December 1999)

For the boys

Magazine article by Alistair McGhie, 2011

The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.

Almerisa, Asylumseekerscenter Leiden, March 14, 1993

Interview

Magazine article by Rineke Dijkstra, 2013

Rineke Dijkstra's photographic series of her subject, Almerisa Sehric, evolved over the course of 14 years.

Adut Akech, 2018 Charles Dennington

Peripheral vision

Magazine article by Aimee Board, 2020

Aimee Board chats to emerging photographer Charles Dennington.

Self-portrait, 1962 by Judy Cassab

Flesh, figure and rock

Magazine article by Aimee Board, 2018

Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.

Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Dr Joseph Brown with Two Typists

Unboxed

Magazine article by Sandra Bruce, 2022

Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.

Paul Kelly

Before Too Long

Magazine article by Simon Elliott, 2004

The story behind the creation of the portrait of singer-songwriter Paul Kelly by the artist Jon Campbell.

Sisters, 2015 by André Brönnimann

Adam’s Prize Apples

Magazine article by Pamela Gerrish Nunn, 2016

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

Beach painting, 1966 by Michael Taylor

Living landscape

Magazine article by Gillian Raymond, 2016

Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.

Ken Catchpole

Full time

Magazine article by Alistair McGhie, 2017

Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.

Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency