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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Matepai c. 1929-32

Missionary positions

Magazine article by Stella Ramage, 2016

Stella Ramage on Father McHardy’s Bougainville portraiture.

Aretha Brown in front of her New Shakahari Wall Mural Commission at La Mama Theatre, Carlton, 2023 Mark Mohell

Aretha Brown

In conversation

Magazine article by Rebecca Ray, 2023

Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.

Layne Beachley

Everybody's heard about the bird

Magazine article by Dr Sarah Engledow, 2008

Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.

Andrew Sachs (‘Manuel’)

Star signs

Magazine article by Barry York, 2018

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

Self portrait

Me Myself I

Magazine article by Andrew Sayers AM, 2001

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Acacius (Stigmata) - Tony Carden

Stigma stigmata

Magazine article by Angus Trumble, 2015

Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.

As long as you're here, 2013 by Tony Curran

Touchy touchy

Magazine article by Tony Curran, 2015

Tony Curran ponders whether our phones can change the course of painting.

Lowitja O'Donoghue

Anatomist's eye

Magazine article by Diana Warnes, 2016

Robert Hannaford has completed around 400 portraits over the span of his career.

Herb Wharton, Cunnamulla, Qld

Thousand mile stare

Magazine article by Simon Elliott, 2004

John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.

Lauren in Red, 2003

Is the truth of portraiture vested exclusively in likeness?

Magazine article by Michael Desmond, 2006

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Self portrait

Home truths

Magazine article by Joanna Gilmour, 2013

Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.

Christos Tsiolkas

Intense identity

Magazine article by Dr Christopher Chapman, 2009

Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.

Tracey

Sophisticated and glamorous

Magazine article by Amanda Rowell, 2015

Michael Riley’s early portraits by Amanda Rowell.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency