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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Maria Polly Cutmore

Now and then

Magazine article, 2023

Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.

Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Portrait of Florence Broadhurst

Be bold

Magazine article by Katherine Russell, 2007

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Nicole Kidman

9 lives of Karin Catt

Magazine article by Simon Elliott, 2006

Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.

Abraham Lincoln, 1865

Washington preview

Magazine article by Lauretta Morton, 2005

Ron Ramsey, former Director of Cultural Relations at the Embassy of Australia interviewed NPG Washington Director, Marc Pachter, about their building renovations.

David Campese II

Inspiration + Realisation: John Singer Sargent

Magazine article by Katherine Russell, 2006

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Dame Mabel Brookes

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.

Moonboy, 2010

Observation point

Magazine article by Tim Storrier, 2013

Tim Storrier describes the influences on the development of his artistic style.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Margot Rhys, 1935 by Athol Shmith

Progressive pictures

Magazine article by Aimee Board, 2017

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Tony Bilson

Eating the seasons

Magazine article by Dr Anne Sanders, 2019

Anne Sanders imbibes Tony Bilson’s gastronomic revolution.

As long as you're here, 2013 by Tony Curran

Touchy touchy

Magazine article by Tony Curran, 2015

Tony Curran ponders whether our phones can change the course of painting.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency