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I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.
The Australian public was invited in 2008 to vote for their favourite Australian. After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.
Collection: National Portrait Gallery
Purchased 2018
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
Fiona Gruber investigates the work of Australian painter Kristin Headlam.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Barbara Blackman reflects on her experiences as a life model.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.