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Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.
‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.
Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
Phil Manning celebrates a century of Brisbane photographic portraiture.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Sharon Peoples contemplates costumes and the construction of identity.
Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.