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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Aborigines at Oyster Cove, Tasmania
Aborigines at Oyster Cove, Tasmania
Aborigines at Oyster Cove, Tasmania

Aborigines at Oyster Cove, Tasmania, 1858 (printed 1890s)

Francis Nixon
Portrait, glass plate negative

Purchased 2011

Flora and Fauna, Giara: White Cockatoo, 2021 Luther Cora

Flora and Fauna, Giara: White Cockatoo

Luther Cora
Image
Joseph Dalton Hooker
Joseph Dalton Hooker
Joseph Dalton Hooker

Joseph Dalton Hooker, c. 1880s

an unknown artist
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2009

Téa-Anna Parvathy Murrin – Australian cultural identity, 2023 Franca Turrin

Téa-Anna Parvathy Murrin – Australian cultural identity

Franca Turrin
Image
Mr. Zee, 2021 Luke Ray

Mr. Zee

Luke Ray
Image
The Quarry, 2022 Tajette O'Halloran

The Quarry

Tajette O'Halloran
Image
Glenn Murcutt

Glenn Murcutt

In their own words
In their own words

Recorded 2017

Prince Charles Edward Stuart, 1738 Louis Gabriel Blanchet

Prince Charles Edward Stuart

Louis Gabriel Blanchet
Image
Baron Ferdinand von Mueller
Baron Ferdinand von Mueller
Baron Ferdinand von Mueller

Baron Ferdinand von Mueller, c. 1890

Charles Troedel after Robert Wendel
Portrait, lithograph on paper

Collection: National Portrait Gallery
Purchased 2013

Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks

Sir Joseph Banks, c. 1788

John Raphael Smith after Sir Benjamin West
Portrait, mezzotint on paper

Purchased 2010

Paradise won, 2024 Ryan Presley

Ryan Presley: Paradise won

Current exhibition

Marri Ngarr artist Ryan Presley's site-specific commission Paradise won is prominently positioned at the Gallery’s entrance. This ambitious new work invites conversations about the ongoing legacies of colonisation and celebrates First Nations survival and autonomy.

Christopher Bassi standing in an empty office next to a large yellow painting

Christopher Bassi

Artists and Collectives

Known for his representational painting, Meriam and Yupungathi man Christopher Bassi, based in Meanjin/Brisbane, addresses issues surrounding cultural identity, alternative genealogies and colonial legacies.

Sarah Engledow and Acorn, 2016 by Mark Mohell

Explore The Popular Pet Show

The artists and their furry friends
General content

Curator, Sarah Engledow, introduces the artists and the animals in The Popular Pet Show.

Sir Charles Lloyd Jones
Sir Charles Lloyd Jones
Sir Charles Lloyd Jones

Sir Charles Lloyd Jones, 1951

Sir William Dobell OBE
Portrait, oil on composition board

Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.

Little Darlings Youth Portrait Prize finalists

Little Darlings Youth Portrait Prize 2022

Previous exhibition, 2022

Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘identity’, students painted, drew, photographed, printed or combined all of these to make their portrait.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Learning resources

Let’s look closely at the National Photographic Portrait Prize 2022 together! For students and family groups.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

The last of England 1855

Pre-Raphaelite Profile

Magazine article by Michael Desmond, 2006

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Self portrait

Modern Australian Women

Magazine article by Gillian Raymond, 2005

Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other. 

Ethel Turner

Moving in creative circles

Magazine article by Joanna Gilmour, 2008

Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.

Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Portrait of Elizabeth Gould with a raptor, possibly a red-footed falcon (Falco vespertinus), painted in her lifetime Artist unknown

Birds of a feather

Magazine article by Annette Twyman, 2021

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Face House – Kyoto, Japan Architect: Kazumasa Yamashita

Alter ego

Magazine article by Tom Fryer, 2021

Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency