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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Peter Sculthorpe

Creative space

Magazine article by Eric Smith, 2004

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Portrait of Henry Vernon Crock AO

Private practice

Magazine article by Joanna Gilmour, 2008
David Smith portrayed Dr Henry Crock without the accoutrements of an orthopaedic surgeon, adding to the National Portrait Gallery's collection of eminent Australian medical practitioners.
Portrait of Florence Broadhurst

Be bold

Magazine article by Katherine Russell, 2007

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Self portrait

Modern Australian Women

Magazine article by Gillian Raymond, 2005

Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other. 

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Sir Charles Kingsford Smith and Captain Charles Ulm

The Wonder Years

Magazine article by Sarah Hill, 2001

Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.

Self-portrait with bowler hat, 1885–6 by Paul Cézanne

Hail Cézanne

Magazine article by John Elderfield, 2017

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

Jim Cobb at Chroma factory Mt Kuring-gai, NSW, 2017 by Mark Mohell

The alchemist’s profile

Magazine article by John Zubrzycki, 2017

John Zubrzycki meets Australian paint pioneer Jim Cobb.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

Luke Scibberas, Hill End NSW, 2004

Artists' space

Magazine article by John McDonald, 2007

Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.

John Clarke

Humour’s warm refuge

Magazine article by Angus Trumble, 2017

Angus Trumble pays tribute to John Clarke.

Dr John Yu

Clay, water, fire

Magazine article by Simon Elliott, 2005

Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.

Portrait of Elizabeth Gould with a raptor, possibly a red-footed falcon (Falco vespertinus), painted in her lifetime Artist unknown

Birds of a feather

Magazine article by Annette Twyman, 2021

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

Self portrait 1955

Portrait of the artist as a young man

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow explores the early life and career of John Brack.

© National Portrait Gallery 2022
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency