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Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.