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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

Untitled, Conductors, Tramways series, 1990 © Matt Nettheim

Back track

About Face article

Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Margot Rhys, 1935 by Athol Shmith

Progressive pictures

Magazine article by Aimee Board, 2017

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Portrait 57

The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Janice Wakely

Generous Janice

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011

General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Michael Leunig

Michael Leunig

Michael Leunig

Michael Leunig, 2004

Jacqueline Mitelman

Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2005

Margaret Fulton

Masters of Fare

Chefs, winemakers, providores

Previous exhibition, 2004

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Patricia 'Bambi' Tuckwell (Shmith)

Patricia 'Bambi' Tuckwell (Shmith)

Patricia 'Bambi' Tuckwell (Shmith)

Patricia 'Bambi' Tuckwell (Shmith), c. 1952

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003

Athol Shmith

Athol Shmith

Athol Shmith

Athol Shmith, 1985

Michel Lawrence

Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 1999

image not online

Jacqueline Mitelman

Jacqueline Mitelman (b. 1952), photographer, was born in Scotland and moved to Australia with her family at the age of five.

23 portraits in the collection

Athol Shmith

Athol Shmith

Athol Shmith (1914-1990) was a professional photographer specialising in portraiture, branching into the fashion and advertising fields after 1936.

1 portrait in the collection

Patricia 'Bambi' Tuckwell (Shmith)

Bambi Tuckwell

Patricia 'Bambi' Tuckwell (1926-2018) was a leading Australian fashion model as well as a promising violinist.

1 portrait in the collection

© National Portrait Gallery 2025
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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency