In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.
National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.
Nathaniel Kinsman (1823–1898), lay preacher, came to Victoria in the late 1840s and set up in business in Fitzroy as a dealer in second-hand furniture.
1 portrait in the collection
Purchased 2013
Jane Windeyer (1865–1950) was the second eldest daughter of politician and judge Sir William Charles Windeyer (1834–1897) and his wife, Mary (née Bolton, 1837–1912), a leading campaigner for women’s rights.
2 portraits in the collection
Jane Kennerley (nee Rouse) was born in Parramatta and in 1834 married Alfred Kennerley (1810-1897) who, like Jane's father, owned large amounts of land in western Sydney and on the Cudgegong River.
1 portrait in the collection
Jane Franklin (née Griffin, 1791–1875) came to Van Diemen’s Land in 1837 following the appointment of her husband, Sir John Franklin, to the position of lieutenant-governor of the colony.
2 portraits in the collection
Jane Barnes (b. 1958), musician, was born in Bangkok. After her parents' divorce, she spent her childhood travelling around the world with her diplomat stepfather, mother and two sisters, living in Australia, Italy, Russia, New Guinea, Kiribati, Malta and Malaysia.
1 portrait in the collection
Jane Varkulevicius is the Catalogues Manager of the Digger's Club. Although not a professional photographer she has taken a number of images for the Digger's Club and its associated publications.
1 portrait in the collection
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Australian character on the market by Jane Raffan.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.