April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Feminism, risktaking and the politics of looking: Joanna Gilmour steps into the world of Julie Rrap.
Transport Canberra bus routes run from the various city centres past the Gallery on a regular basis.
The Darling Portrait Prize is a biennial national prize for Australian portrait painting honouring the legacy of Mr L Gordon Darling AC CMG.
Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.
Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
During the period 2018–20, the Gallery implemented our first Access Action Plan.
There are a wide range of legislative requirements and strategies which have influenced the development of this DIAP.