In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Barbara Blackman reflects on her experiences as a life model.
Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.