Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.
Experience the art of rock music; attend to the neglected aspects of Lord Kitchener's work; and say farewell to the inimitable Bob Ellis.
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.
Esther Erlich’s portrait of Lady McMahon.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The story behind the acquisition of the portrait of Danish architect Jørn Utzon.
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
Alistair McGhie explores the many shades of Angélica Dass’ Humanæ project.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
