The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?
Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.
Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.