Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Gordon Darling Hall

Portrait of the Gallery

Magazine article by Graeme Dix, 2016

A design diary retrospective.

James Baldwin, writer, Harlem, New York 1945 by Richard Avedon

The Avedon effect

Magazine article by Dr Christopher Chapman, 2013

Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.  

Chet Baker, singer, New York City, January 16, 1986 by Richard Avedon

The existential lens

Magazine article by Stephen Zagala, 2013

Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.

Pat and Richard Larter, Luddenham, 1970s

Pin-ups

Magazine article by Dr Christopher Chapman, 2008

Christopher Chapman describes the art and life of Australian artist Richard Larter.

Sir William Charles Windeyer

Private virtues public lives

Magazine article by Joanna Gilmour, 2010

Family affections are preserved in a fine selection of intimate portraits.

Portrait 46

Spring/Summer 2013
Magazine

This issue features Richard Avedon, Tracey Moffatt, Indigenous portraiture, William Kentridge, roller derby and more.

Portrait 29

September - November 2008
Magazine

This issue of Portrait Magazine includes William Bligh, Lionel Rose, Richard Larter, Layne Beachley, William Yang and more.

John Bell as King Lear oil on Belgian linen, 2001 by Nicholas Harding

Lear unbuttoned

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

King Barak, last of the Yarra Tribe, 1899

Barak, respected elder

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.

Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

Caroline Pileggi

Ready , set... shoot

Magazine article by Christine Clark, 2006

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

123 Faces, 2002

123 Faces

Magazine article by Magda Keaney, 2002

Magda Keaney examines the 123 Faces project by Simon Obarzanek.

Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

Sir Macfarlane Burnet

Nobel and his prize

Magazine article by Jennifer Gason, 2003

To complement the exhibition Australians and the Nobel Prize, Jennifer Gason gives us a sense of the proceedings that occur during the award ceremony.

Madame du Barry, 1791 by Richard Cosway

Little women

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency