While visiting the National Portrait Gallery I noticed the absence of paintings of journalists.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Portrait photography, by definition, is a collaboration. It is also the grandest of lies masquerading as the ultimate truth.
Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.
Photographer Polly Borland on capturing Queen Elizabeth II.
Tony Curran ponders whether our phones can change the course of painting.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.
Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.