Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
Peter Jeffrey trips the hound nostalgic.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Australian character on the market by Jane Raffan.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.