Temporary road closures will block vehicle access to our building on Sunday 13 April until 3:00pm.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Matthew Jones on the upshot of a St Kilda Road outrage.
Andrew Sayers feels the warmth in the paintings Matthew Perceval made while the sun shone in southern France.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
This issue of Portrait Magazine features Matthew Perceval, Tom Uren, George Tjungurrayi, silhouette portraiture, pop art portraits and more.
The Australian public was invited in 2008 to vote for their favourite Australian. After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.