Tamsin Hong recounts the tale of Marion Smith, the only known Australian Indigenous servicewoman of World War One.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Christopher Chapman contemplates the provocative performance art of Chris Burden.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.