Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.
Gill Raymond on creating thought-provoking, interactive content to connect to our online community through portraiture.
Gillian Raymond investigates the history of humanoid robots and asks, is this the future of portraiture?
A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.
Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.
Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
The Huxleys, National Portrait Gallery London’s masterpieces, Jennifer Higgie on portraits of women by women, Tamara Dean, Bangarra, Glynis Jones on fashion photographers, and NPG/NGV collaboration.
National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.
Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.