
An interview with the photographer.

This portrait is called Jaye and it's a photo of my friend. She's a member of the Multicultural Society in Geraldton.




A major new exhibition celebrating love in all its guises. Opening 20 March 2021.

Commissioned with funds provided by The Calvert-Jones Foundation 2018

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.

Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.

I like talking about Drendel’s pictures as if they expressed dreams of my own.

Natural light and human proportions – the design by Johnson Pilton Walker

Shea Kirk’s portrait of friend and fellow-artist Emma Armstrong-Porter has won the 2023 National Photographic Portrait Prize.

The second row of paintings recall stories relating to specific sites, experiences and activities.

The third row of paintings come from Ngarranggarni (Dreaming).