Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Naomi Cass, Director of the Centre of Contemporary Photography, in conversation with Anne Zahalka.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Gregory McBean writes about photographing recent ARIA Hall of Fame inductee, singer Stevie Wright.
Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
The portrait of Ian Roberts by Ross Watson.