© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
Adrian Brown
NPPP 2012 learning resource
An interview with the photographer.
Elliot Brown
Vox pops
This portrait is called Jaye and it's a photo of my friend. She's a member of the Multicultural Society in Geraldton.
Californian clinch in the ‘Australian’ outback
Lust
Long-term love scene
David McAllister to join National Portrait Gallery collection
26 April 2016
Archived media releases 2016
Artistic Director of The Australian Ballet, David McAllister AM will join the Portrait Gallery’s national collection in a newly-commissioned portrait taken by illustrious Australian photographer, Peter Brew-Bevan.
Donors
$10,000 - $49,999
Honour board
The Legend of Ruby and Archie
Devotion
A bond in song
2020 Annual Appeal
Annual Appeal
In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
The soul surfer’s manifesto
Passion
Barrels, bliss and brotherhood
Annual Appeal
Listed by year
Honour board
2023 Annual Appeal
Annual Appeal
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
2022 Annual Appeal
Annual Appeal
In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.
Australian Love Stories
4 January 2021
Archived media releases 2021
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
Tim Fairfax, 2018
by Russell Shakespeare
General content
Commissioned with funds provided by The Calvert-Jones Foundation 2018
2021 Annual Appeal
Annual Appeal
In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.
Melanie Faith Dove
Finalist interviews
I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.
Krystal Seigerman
Finalist interviews
The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.