Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
This issue features Hermannsburg pottery, Nicole Kidman, Ken Done, Jessie Street, two gladiators, the Portraits+Architecture exhibition and more.
Portrait photography, by definition, is a collaboration. It is also the grandest of lies masquerading as the ultimate truth.
Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.
Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.
Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Phil Manning celebrates a century of Brisbane photographic portraiture.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
Karen Vickery delights in a thespian thread of the Australian yarn.
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.