Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.
Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
Angus Trumble treats the gallery’s collection with a dab hand.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Diana O’Neil on Noel Counihan’s vivid 1971 portrait of Alan Marshall.
Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.