A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
Celebrated Sydney-based photographer and performer William Yang was commissioned by the National Portrait Gallery to produce a new performance work that premiered at the opening of the Gallery's new building.
Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Artist Kate Beynon reflects on the place of portraiture in her artistic career.
A reflection on the National Portrait Gallery's first four years.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.
‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.
Angus Trumble treats the gallery’s collection with a dab hand.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
Karina Dias Pires shares the stories behind her portraits of women artists in their creative spaces.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.