Jane Raffan investigates auction sales of self portraits nationally and internationally.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Australian character on the market by Jane Raffan.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
Gideon Haigh discusses portraits of Australian cricketers from the early 20th century
Grace Carroll on the gendered world of the Wentworths.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.