Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.
John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.
John Zubrzycki meets Australian paint pioneer Jim Cobb.
John Zubrzycki lauds the characters of the Australian escapology trade.
Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Angus Trumble pays tribute to John Clarke.
Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Dr Sarah Engledow explores the early life and career of John Brack.