John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.
John Zubrzycki meets Australian paint pioneer Jim Cobb.
John Zubrzycki lauds the characters of the Australian escapology trade.
Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Angus Trumble pays tribute to John Clarke.
Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.
Dr Sarah Engledow explores the early life and career of John Brack.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.
Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.