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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Drawing workshop: Focus on the face with Nicholas Harding

27th February 2021

Recorded virtual programs

Join us from wherever you are for an intimate, online drawing workshop with British-Australian artist Nicholas Harding.

Hong Fu

Hong Fu

My subject, he is a writer. He is a big name, very famous writer, Alex Miller, age 85.

You are what is most beautiful about me: a self portrait with Kel and Arella, 2007 Del Kathryn Barton

Unplanned arrival leads to blissful adoration

Nearest & Dearest

A mother’s ‘in-loveness’

After Jack

A deep, abiding love affair

Frames for his life’s love

Ivy Shore

Not your average teacher’s pet!

It's Complicated

Love versus art

Eileen, 2017 by Sue Healey, video: 6 minutes

Eileen, 2017

General content

Finalist, DPA 2017
Single channel HD digital video

Omega, 2013 by Robin Eley

Robin Eley

More about In the flesh artists

Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011.

Recruit (Self Portrait in the image of my son), 2012 by Michael Peck

Michael Peck

More about In the flesh artists

Born in Melbourne in 1977, Michael Peck has a Bachelor of Fine Art (honours) (Painting) from Monash University. He has exhibited as a solo artist since 1998, when he won the National Gallery of Victoria’s Trustees Award.

Abdul Abdullah in his studio with large windows overlooking a suburban street

Abdul Abdullah

Artists and Collectives

Abdul Abdullah, a multi-disciplinary artist identifying as a Muslim and with both Malay/Indonesian and convict/settler Australian heritage, explores concepts of the ‘other’ in his highly distinctive practice based on Gadigal Country.

Harry Seidler, Killara, Sydney

Designing the ideal marriage

Deep foundations, shared vision

Rose, 2011 by Natasha Bieniek

Natasha Bieniek

More about In the flesh artists

Born in Melbourne, Natasha Bieniek began her formal artistic training at the Victorian College of the Arts in 2002. Bieniek’s When the music’s over (2006) won the Nino Sanciolo Art Prize, a painting scholarship to study at the Accademia d’Arte in Florence, where she learnt the ancient technique of egg tempera.

Thom Roberts with Burt the Oscar Train 2017 and cushion cover

The Immersive World of Thom Roberts

12 April – 20 July 2025

The first solo exhibition for this multidisciplinary, contemporary Australian artist, The Immersive World of Thom Roberts opens at the National Portrait Gallery on 12 April.

Catherine Livingstone

Catherine Livingstone, 2018

General content

Commissioned with funds provided by Tim Fairfax AC 2018

Two people at a bench covered in sheets of paper in a room with a wooden floor and a large brown couch

Kate Beynon

Artists and Collectives

Born in Hong Kong, Naarm/Melbourne-based artist Kate Beynon builds from the cultural legacy of her familial ancestry and experience to envision hybrid personas, identities, worlds and mythologies.

Margaret Seares

Margaret Seares, 2018

General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency