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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Robin Eley

In the flesh
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More about In the flesh artists
 
Omega, 2013 by Robin Eley
Omega, 2013 by Robin Eley

Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011. Robin Eley had his first solo exhibition ‘Singularity’ in 2012 and was also a finalist in the Archibald Prize that year. Eley relocated from Adelaide to the USA in 2014 and his work has appeared most recently in a group exhibitions at Koi No yokan, 101/exhibit, Los Angeles, BMG first Look, Bernarducci Meisel Gallery, New York NY and at the Westmont Ridley-Tree Museum of Art in Santa Barbara.

3 portraits
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Devotion, 2013 by Robin Eley
Devotion, 2013 by Robin Eley.
In the flesh
More about In the flesh artists
Jan Nelson
Natasha Bieniek
Sam Jinks
Petrina Hicks
Yanni Floros
Patricia Piccinini
Robin Eley
Juan Ford
Ron Mueck
Michael Peck
More about In the flesh
More about In the flesh artists

Related information

Divide, 2011 by Sam Jinks
Divide, 2011 by Sam Jinks
Divide, 2011 by Sam Jinks
Divide, 2011 by Sam Jinks

In the flesh

Previous exhibition, 2014

In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.
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The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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