Grace Carroll contemplates the curious case of Christian Waller.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.
Grace Carroll on the gendered world of the Wentworths.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.
This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Peter Brew-Bevan discusses two experiences where his plans for his portraits produced surprising results.
Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.