Blak Douglas reflects on his experiences, process and motivation for making portraits.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Magda Keaney talks with Montalbetti+Campbell about their photographic portrait of Australian astronaut Andy Thomas.
The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.
A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.