The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
This issue of Portrait Magazine features Kym Bonython, Florence Broadhurst, Frank Fenner, Henri Matisse, animated portraits and more.
The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Tsering Hannaford reflects on her experiences, process and motivation for making portraits.
Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.
Keith Christiansen introduces the exhibition The Renaissance Portrait from Donatello to Bellini on display at the Metropolitan Museum of Art, New York.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Stephen Zagala discusses Richard Avedon’s work from an Australian perspective.
Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.