The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.