The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
Joanna Gilmour on the exuberant union of fashion pioneers Jenny Kee and Linda Jackson, captured in luminescent splendour by artist Carla Fletcher.
Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.
Grace Carroll contemplates the curious case of Christian Waller.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Michael Riley’s early portraits by Amanda Rowell.
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.
Rebecca Ray delves into Simone Arnol’s powerful photographic tribute to her great-grandmother
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency