Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.
Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.
Magda Keaney examines the 123 Faces project by Simon Obarzanek.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.
The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.