The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
R. Ian Lloyd was born in Canada, studied photography in the U.S., and first arrived in Australia in 1975.
King Edward Terrace was named in honour of King Edward VII (1841-1910)
A new light installation by Jonathan Jones reflects on the importance of community through the lens of his Wiradjuri and Kamilaroi heritage, whilst also acting as a prompt for gallery visitors to maintain social distancing.
Royal romps: illicit liaisons
We’re on King Edward Terrace in front of the High Court and next to the National Gallery of Australia. We are open every day of the year from 10am to 5pm, except 25 December.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Road closures for the Canberra Marathon will block vehicle access to our building and carpark on Sunday 13 April until 3:00pm.
Parking is available in our underground car park every day of the week. Fees apply.
In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Maps and public transport information for your visit.
Transport Canberra bus routes run from the various city centres past the Gallery on a regular basis.
The portrait's of my mother, Catherine, and the photograph was taken in a family home that we had and my mother was relocating to Tasmania.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency