The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.
During her time in Australian politics, Dame Nancy Buttfield was an impressive advocate for equality for women and was responsible for ending the marriage bar for women in the Public Service.
Edward Tom Uren AC (1921-2015), former Deputy Leader of the Australian Labor Party, was a major campaigner on environmental and urban-planning issues and rights for veterans.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.