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King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
Recollections of a sinologist sitter
Magazine article by Professor Stephen FitzGerald AO, 2016
Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
Stand Proud
Magazine article by Anne O'Hehir, 2023
Anne O’Hehir chats with artist Kim Leutwyler about courage, community and the ethics of looking.
Vanity fair
Magazine article by Ashleigh Wadman, 2012
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
For the boys
Magazine article by Alistair McGhie, 2011
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
In the round
Magazine article by Andrew Sayers AM, 2009
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Pop goes the preconception
Magazine article by Paul Moorhouse, 2007
A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.
Paper, boy
Magazine article by Peter Wilmoth, 2016
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
Tiny Trace of a Colonial Giant
Magazine article by Dr Sarah Engledow, 2004
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
Bill and Ted's excellent portrait.
Magazine article by Dr Sarah Engledow, 2016
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
A sketch for some portraits
Magazine article by Judith Pugh, 2005
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Money for Myth
Magazine article by Jane Raffan, 2015
Australian character on the market by Jane Raffan.
Through thick and thin
Magazine article by Dr Sarah Engledow, 2017
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.