Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
Anne O’Hehir chats with artist Kim Leutwyler about courage, community and the ethics of looking.
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Australian character on the market by Jane Raffan.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.