Christopher Chapman profiles Chris Lilley, actor and creator of Angry Boys.
Andrew Mayo talks to three of Australia’s most prominent and prolific music photographers — Martin Philbey, Kane Hibberd and Daniel Boud — about the challenges and inspiration behind their craft.
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Phil Manning celebrates a century of Brisbane photographic portraiture.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Tegan McAuley looks at the evolution of video portraiture.
Lucy Quinn compares the approaches of three photographers lured to the action and culture of roller derby.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.