Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Tom Fryer surveys the twentieth-century architectural project, and finds representation and the portrait were integral elements.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.