Laith McGregor's fascination with the human form stems from an imaginary childhood friend.
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
Grace Carroll on the gendered world of the Wentworths.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.