The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.
Finalist, MDPA 2013
Join us from wherever you are for an intimate, online drawing workshop with British-Australian artist Nicholas Harding.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
My subject, he is a writer. He is a big name, very famous writer, Alex Miller, age 85.
A mother’s ‘in-loveness’
Frames for his life’s love
Love versus art
Finalist, DPA 2017
Single channel HD digital video
Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011.
It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.
Born in Melbourne in 1977, Michael Peck has a Bachelor of Fine Art (honours) (Painting) from Monash University. He has exhibited as a solo artist since 1998, when he won the National Gallery of Victoria’s Trustees Award.
Abdul Abdullah, a multi-disciplinary artist identifying as a Muslim and with both Malay/Indonesian and convict/settler Australian heritage, explores concepts of the ‘other’ in his highly distinctive practice based on Gadigal Country.
Deep foundations, shared vision
The National Portrait Gallery recently announced the finalists for the Macquarie Digital Portraiture Award 2013.
Born in Melbourne, Natasha Bieniek began her formal artistic training at the Victorian College of the Arts in 2002. Bieniek’s When the music’s over (2006) won the Nino Sanciolo Art Prize, a painting scholarship to study at the Accademia d’Arte in Florence, where she learnt the ancient technique of egg tempera.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency