James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Martin Philbey’s portrait of Dan Sultan.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
Magda Keaney on entwining the work of Francesca Woodman and Julia Margaret Cameron, two photographers working a century apart.
Grace Carroll contemplates the curious case of Christian Waller.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.