Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.
Jude Rae contemplates the portrait commission.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
Penelope Grist finds philanthropy and fashion underpin the story of Susan Wakil AO.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.